treble control การใช้

• Some computer speakers have equalization features such as bass and treble controls.
• And the jukebox reverb, bass and treble controls were good.
• A simple, inexpensive amplifier may have only two tone controls, a passive bass and treble control.
• The speakers include independent bass and treble controls and deliver rich, full sound, even at maximum volume.
• Also, there's no separate treble control here _ just volume for the subwoofer and the overall system.
• Early filters included basic bass and treble controls featuring fixed frequency centers, and fixed levels of cut or boost.
• The 5F4 model had Presence, Bass, and Treble controls, and separate Volume controls for the microphone and instrument inputs.
• The electronic design was revised, and the audio amplifier was rather more complex, incorporating rotary bass and treble controls.
• As you move to the right, the frequencies get higher; the highest treble controls are typically 16 kilohertz or 18 kilohertz.
• However, that's a very minor complaint because the ProMedia 2.1 didn't seem to need a treble control to deliver impressive highs.
• However, that's a very minor complaint because the ProMedia 2 . 1 didn't seem to need a treble control to deliver impressive highs.
• The tone was managed by individual bass and treble controls as opposed to the single tone control on earlier models, and boasted a spring reverb.
• In 1963, the single tone control was replaced with individual bass and treble control knobs, and the base Princeton was joined by the Princeton Reverb.
• The TREBLE control was the same as found in many Fender amplifiers of the time ( i . e ., Pro Amp-6G5A-, the Super-6G4A-, the Showman-6G14-, the Vibrolux-6G11-).
• Controls include master volume, master tone, pickup on / off and series / parallel switching and an active / passive switch for dual-circuit design with inset bass and treble control wheels.
• An updated version followed a year later : the RP38A . This added bass and treble controls, using an amplifier that was electrically very similar to that in the RP35 / RP25.
• Separate bass amplifiers, often called " heads " or " amp heads " are usually integrated units, with a preamplifier, equalizer ( bass and treble controls ) and a power amplifier combined in a single unit.
• The treble control might be used to give the percussion a sharper or more " brilliant " sound, or can be used to cut such high frequencies when they have been overemphasized in the program material or simply to accommodate a listener's preference.
• The typical shelf system consists of a short stack of components-- CD player ( whether single-play or changer ), AM / FM tuner, dual-well cassette deck, amplifier, equalizer ( a more finely subdivided version of bass and treble controls )-- standing about 16 inches high.
• It had MW, LW and VHF coverage, but with a cheaper combined tuner section ( which was more in line with the majority of sets at the time anyway ), and a simplified audio amplifier that lacked the separate bass and treble controls of the Heralds and Sovereigns.